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Being smart enough even at this tender age to recognize that fictional personalities, like real ones, need time to ripen and deepen, I gave the show another chance - repeatedly, over the course of years. Nor did I care for the new crew, who struck me as equally bland and bloodless. The new incarnation of the Enterprise seemed cold and antiseptic in comparison to the old ship’s trusty physicality. Like most of my peers, I was hugely excited by the prospect, and tuned in eagerly to the first episode. It must have been about the time I was discovering Ethan Frome that Star Trek: The Next Generation debuted on television. Some years later, I took my bachelor degree in literature. My English teacher was right, I realized books without any spaceships or dragons in them really could be pretty darn great. It primed me for the evening I begrudgingly opened Ethan Frome for my English class, and proceeded to devour it over the course of the next several rapt, tear-streaked hours. I credit this side of Star Trek with showing me that there is as much drama and interest in ordinary life as there is in fantastic adventures in outer space. Decades before I fully understood what that moment - not to mention an expanding middle-aged waistline! - means in real life, I could sense the gravitas of the scene. Think, for example, of the scene in Star Trek II: The Wrath of Khan where McCoy comes to visit Kirk and present him with his first pair of reading glasses. Yes, this made effortless fodder for the late-night comedians, but there was also a wry wisdom to these movies that one doesn’t usually find in such blockbuster fare, as the actors’ aging off-screen selves merged with their onscreen personas in a way we don’t often see in mainstream mass media. Young though I was, I recognized the poignancy inherent in watching the now middle-aged cast cram their increasingly substantial frames back into the confines of their Starfleet uniforms every couple of years.
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I loved the Star Trek movies of the 1980s as well. Even after it had slowly dawned on me that in the final reckoning the death and suffering brought on by war far outweigh any courage or glory it might engender, the fascination with history which had been thus awakened never died.
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Upon realizing this, I became quite the little war monger for a while there, devouring every book and movie I could find on the subject. I particularly loved the give and take on the bridge of the starship Enterprise during episodes such as “Balance of Terror,” which were heavily inspired by the naval battles of World War II.
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Strange as it now sounds even to me in this era when vintage media far more obscure than Star Trek is instantly accessible at any time, these marathons were major events in my young life. Three or four Saturdays per year, a local UHF television station would run a Star Trek marathon, featuring nine or ten episodes back to back, interspersed with interviews and other behind-the-scenes segments. Yet this Star Trek I once cared about a great deal.ĭoubtless like many of you of a similar age, I grew up with this 1960s incarnation of the show - the incarnation which its creator Gene Roddenberry so famously pitched to the CBS television network as Wagon Train to the Stars, the one which during my childhood was the only Star Trek extant. Original-series Star Trek is the only version I’ve ever been able to bring myself to care about.